Robert Draws – Theater training for “Dag Dig Dug” offers a unique glimpse into the world of performing arts, where every detail is meticulously crafted to bring life to the stage. Set in the Teater Populer Studio, Tanah Abang, Jakarta, the rehearsal process reflects the passion and dedication of Indonesia’s seasoned actors and directors. Slamet Rahardjo, one of the legends of Indonesian theater, alongside Niniek L Karim, leads this production with an intensity that highlights the depth of the play written by the renowned playwright Putu Wijaya.
The play “Dag Dig Dug” revolves around the lives of a couple, Bapak and Ibu, portrayed by Slamet Rahardjo and Niniek L Karim. They are childless homeowners who have converted their large house into a boarding facility. Among their boarders is an adopted child, Chaerul Umam, whose life becomes the central theme of the play.
The story takes a dramatic turn when a telegram arrives, informing Bapak and Ibu of Chaerul Umam’s tragic death in a hit-and-run accident. Chaerul, a humanitarian activist, leaves behind a legacy that stirs controversy. Giarno and Giarto, relatives of Chaerul played by Donny Damara and Reza Rahadian, introduce conflicts over money, trust, and the mysterious circumstances of his death.
“Dag Dig Dug” is not just a narrative of loss but also a commentary on societal ideals. According to Slamet Rahardjo, the character of Chaerul Umam represents a timeless hero. Whose death inspires a reflection on true friendship and integrity.
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The rehearsal process for “Dag Dig Dug” is an immersive experience. Set in a modest yet evocative stage design. The actors bring to life the tension, humor, and emotion of the script. The set features a small living room with two chairs and hanging clothes. It’s symbolizing the simplicity and realism of the story’s backdrop.
During one rehearsal, a street vendor’s call disrupts the couple’s conversation, creating a moment of levity. This integration of everyday sounds and interactions highlights the relatability of the play’s themes. Slamet Rahardjo, in his dual role as actor and director, emphasizes the importance of ordinary voices speaking extraordinary truths, in alignment with Putu Wijaya’s vision for the play.
First staged by Teater Mandiri in 1977, “Dag Dig Dug” captures the socio-political climate of its time. Focusing on the aftermath of an activist’s death and the power struggles it incites. Slamet Rahardjo has updated the character names. That is to make the story more relevant to modern audiences while preserving its core message.
The play’s themes of honesty, vulnerability, and resilience resonate deeply, making it a timeless piece of art. The simplicity of the characters and their profound struggles serve as a mirror to society, urging viewers to reflect on their values and relationships.
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Founded in 1968 by the legendary Teguh Karya, Teater Populer has been a cornerstone of Indonesia’s performing arts scene. Over the decades, it has produced hundreds of plays, nurtured countless talents, and bridged the worlds of theater and film. Slamet Rahardjo, as the torchbearer of this legacy, continues to uphold its commitment to artistic excellence and innovation.
The production of “Dag Dig Dug” is a collaborative effort. Paquita Widjaja and Samuel Wattimena serving as producers, and Taba Sancabakhtiar as co-producer. The cast includes some of Indonesia’s finest actors. Donny Damara, Reza Rahadian, Kiki Narendra, and Jose Rizal Manua, alongside the iconic duo of Slamet Rahardjo and Niniek L Karim.
Through its poignant storyline and powerful performances, “Dag Dig Dug” invites audiences to witness a journey of loss, love, and self-discovery. It is a testament to the enduring power of theater to provoke thought, inspire change, and connect people across generations.
The play’s revival by Teater Populer underscores its relevance and impact. Proving that great art transcends time and remains a vital force in shaping culture and society.
