Robert Draws – Art enthusiasts gathered to observe the works displayed at Vy Patiah’s Solo Painting Exhibition at Bentara Budaya Jakarta on Thursday (21/11/2024). Through her art, Vy reveals that the body possesses dimensions of freedom and meaning that transcend rigid social constructs. The exhibition, titled Sebagian Hilang Bentuk (Some Shapes are Lost). Presents the body as a neutral space burdened by perception, expectations, and social norms. These values dominate and transform the body into an arena for power struggles within social constructs. Through her paintings, Vy attempts to liberate the body from these dominations and return it to an autonomous space.
Vy Patiah views the body as a neutral territory, initially untouched by the weight of societal impositions. However, over time, the body becomes an object subjected to external pressures and judgments. Influenced by social, cultural, and gendered norms. These norms shape the way we perceive and treat the body, often imposing limitations on its expression and identity. Through her paintings, Vy invites the viewer to question these impositions. Challenging the rigid constructs that confine the body to predefined roles. The body, in Vy’s work, is freed from these societal expectations. Reclaiming its autonomy and embracing its complexity beyond societal labels.
In her paintings, Vy often portrays the body as incomplete, blurred, or in a fragmented form. These representations reflect the internal conflict between identity, fantasy, and social pressures, symbolizing the psychological tension between primal desires and the constraints of societal norms. Vy’s exploration of the body as “freedom space” seeks to break free from fixed gender categories and rigid sexual norms.
Vy’s works offer more than just aesthetic expression; they serve as a critique of social and political power over the body, gender, and identity. By presenting the body as “vanishing” or “fragmentary,” Vy encourages us to explore the depths of human subjectivity, pushing beyond narrow societal limitations. These bodies, while partially disappearing or fragmented, embody the struggle for personal freedom against the forces of control.
The recurring use of red and black in Vy’s work symbolizes the body’s suffering within a rigid societal framework. The red color represents the vitality and passion of the body, while black signifies the suppression, anguish, and the dark consequences of social impositions. Vy’s work aims to reclaim the body as a political space, freeing it from societal burdens and allowing it to transcend the constraints placed upon it.
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Vy Patiah’s Solo Exhibition presents the body as both a battleground and a space of liberation. Her works depict not only the struggles inherent in social constructions of identity but also the potential for the body to be a site of freedom. The blurred, fragmented forms challenge us to rethink the nature of identity itself. Urging us to confront the societal forces that attempt to define us. The ways in which we can free ourselves from these boundaries.
Through her evocative use of color and form, Vy Patiah invites the viewer to question the limitations of the body, gender, and societal norms. Urging us to look deeper into the complexity of human identity and the quest for freedom. Her paintings become a platform for dialogue, reflection, and a call for the liberation of the body from the rigid structures that have long confined it.
